In my town there is a privately-owned, foundation-funded art museum situated on about 15 acres. The grounds feature numerous tall pines, with hundreds or thousands of azalea bushes, as well as other flora. The site is meticulously kept, and a network of broad sidewalks allows easy access for visitors. In the spring the azaleas with their various hues, along with other spring flowers, afford a feast of beauty. The grounds are open to the public free of charge, and thousands of visitors come each year to see the site.
About a year ago the foundation announced that it would no longer allow cameras of any sort on the grounds. It seems that over the years professional photographers regularly used the facility to set up photo shoots for brides-to-be, and they had come to regard the place as their own. They hauled in elaborate sets, rearranged existing moveables, tromped through flower beds and monopolized areas of the garden for hours as they did their work. They even ordered other visitors to move along so as to not be caught in the photos. The Museum was not compensated in any way.
The commercial photographers eventually became such a nuisance, and the object of so many complaints, that the foundation board decided to ban photography entirely. That edict included casual visitors, as it would be easier to enforce a total ban than a partial one.
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Today's Featured Article - Restoration Story: Fordson Major - by Anthony West. George bought his Fordson Major from a an implement sale about 18 years ago for £200.00 (UK). There is no known history regarding its origins or what service it had done, but the following work was undertaken alone to bring it up to show standard. From the engine number, it was found that this Major was produced late 1946. It was almost complete but had various parts that would definitely need replacing.
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