The Canon 5D mark one two three four etc. Are full imager and go from aroud 16 up to 50 meg. My 7D takes great shots and in RAW it pushes 18meg. Many MANY years ago knew a guy with a 4X5 Linhof. . Boy did that thing make photos! They have 6X9 too. Digital backs for them start in the severa thousand price range and have so much output you need to plug it into a pretty powerful laptop just to use it. There are videos of guys using hand made cameras with X-ray film. Something ike 11x17?. Crazy super photo geeks. By the way...if your meter conks out you can use the "Sunny 16" rule. On a sunny day, with ASA or ISO film of 100, you use 100th of a second at f16 apature. The shutter speed and film speed match up. One time at the college illustration lab they got a batch of super fine grain copy slide film. Trying to remember if it was ASA 6 or 8 speed. In broad daylight and a steady hand it took fantastic ultra dense color slides. Works amazingly well. Sunny 16 is pretty much what those old box cameras used. For nice sunny days you had smaller holes so less light went through the lense because you only had one shutter speed being around a 50th of a second. Actually those old Civil war glass plate cameras were down there in that ASA 6 sensitivity area. My how we have progressed.
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Today's Featured Article - A Belt Pulley? Really Doing Something? - by Chris Pratt. Belt Pulleys! Most of us conjure up a picture of a massive thresher with a wide belt lazily arching to a tractor 35 feet away throwing a cloud of dust, straw and grain, and while nostalgic, not too practical a method of using our tractors. While this may have been the bread and butter of the belt work in the past (since this is what made the money on many farms), the smaller tasks may have been and still can be its real claim to fame. The thresher would bring in the harvest (and income) once a y
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