Why shoot it at f 2.8? That seems like a mighty limited depth of field. At 1600 how are you avoiding noise? There have been places I've had to shoot at 800, one comedy club in particular drives me nuts with that since they limit access from the press to the stage. Normally I set at either f/5.6 or f/8 for gyms and areans, unless Im not on the floor. Any more if I cant get floor access or all access I really dont like to fool with shooting it. At f/5.6 you could drop to ISO400 film speed if your at f2.8 and shooting ISO1600 and hold shutter speed constant, that will make a world of noise go away. Thats where I wish I had one more set of telephoto glass, to get the really tight shots at a longer range. But I can see dropping 4 grand into lens that I would only use for sports and wildlife.
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Today's Featured Article - Restoration Story: Fordson Major - by Anthony West. George bought his Fordson Major from a an implement sale about 18 years ago for £200.00 (UK). There is no known history regarding its origins or what service it had done, but the following work was undertaken alone to bring it up to show standard. From the engine number, it was found that this Major was produced late 1946. It was almost complete but had various parts that would definitely need replacing.
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